Stillness in Concrete

Stillness in Concrete

Seoul & Tokyo, 2025

A study of architectural spaces where silence becomes tangible. Captured on medium format film during winter mornings.

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Winter morning, Roppongi

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Underground passage, Gangnam

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Shinjuku station platform


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Basement corridor, Itaewon — fluorescent hum, no footsteps

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Parking structure, Shibuya — light falling through expansion joints

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Stairwell B, Seoul Arts Center — 4:50am, before the guards arrive

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Underpass, Mapo Bridge — winter fog suspended between walls

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Elevator shaft reflection, Dongdaemun Design Plaza — the building watching itself


Artist's Statement


I began this project during a period of insomnia. Unable to sleep, I would leave my apartment before dawn and walk through the city with my Hasselblad and a pocket of film. What drew me were not the landmarks or the streets — it was the spaces between things. The service corridors. The parking structures. The stairwells that no architect would ever photograph.

Concrete, when you spend enough time with it, is not a dead material. It absorbs sound. It holds temperature. It changes color with moisture and light in ways that are almost imperceptible unless you are standing very still. These photographs are an attempt to record that stillness — to find the silence that cities build into themselves without meaning to.

The title comes from something a security guard in Seoul said to me at five in the morning, when he found me photographing a loading dock. He watched me for a while and then said, in Korean, something I only half-understood: that the building was different at this hour. That it was resting. I think that is what I have been trying to capture — the rest that architecture takes when no one is watching.

"I am not interested in buildings as objects. I am interested in what buildings forget to hide." — Lina Voss, interview with Aperture, Winter 2025


Shot over three winter mornings in Seoul and Tokyo. All images captured on Hasselblad 500C/M with Kodak Tri-X 400 film.